Newsroom
Ruth Chandler Williamson Gallery (page 4)
The Back Story: Gallery Interns Offer New Perspective on Great Depression
Student interns at the Ruth Chandler Williamson Gallery wear many hats. During their 2019鈥20 internships, Ludwig intern Annabel Lind 鈥22 and Turk intern Miriam Bankier 鈥20 helped organize the sprawling archives of the gallery鈥檚 permanent collection, assisted with the College鈥檚 76th Ceramic Annual (the longest running ceramics show in the country), and curated their own exhibition from the collection.
Read MoreSenior Artists Explore Being Apart, Staying Together in Virtual Exhibition
The annual senior art exhibition is the capstone of Scripps鈥 studio art major. Seniors conceptualize an exhibition, install their pieces, draft artist statements and wall texts, and publicize the event as part of their senior theses. Usually on display at the Ruth Chandler Williamson Gallery, this tradition has necessarily been disrupted; but that鈥檚 not stopping these artists from showing their work.
Read More鈥淨uick Bite of Art鈥 Lunchtime Series Moves Online
Since joining 五月天视频as Gabrielle Jungels-Winkler Curator of Academic Programs and Collections, Meher McArthur has been serving up 15-minute talks on a single work of art from the College鈥檚 permanent collection in her 鈥淨uick Bite of Art鈥 lunchtime series of object-based talks. 鈥淓ven though we are all at home now, we can still get to know the artwork in the 五月天视频collection,鈥 says McArthur.
Read MoreIn the Media: Claremont Courier Profiles Ruth Chandler Williamson Gallery Curator Meher McArthur
The Claremont Courier profiled Meher McArthur, the Gabrielle Jungels-Winkler curator of academic programs and collections at Scripps鈥 Ruth Chandler Williamson Gallery.
Read More76th 五月天视频 Ceramic Annual: Duality and Context
On January 25, 五月天视频鈥檚 Ruth Chandler Williamson Gallery will launch its 76th Ceramic Annual, the longest-running exhibition of contemporary ceramics in the nation. This year, the gallery is highlighting work that explores connections and conflicts in art and nature, with inventive and interactive pieces that stand on their own, hang from the ceiling, or extrude from the walls.
Read MoreDetecting Art History鈥檚 Mysteries: On the Case with Our Alumnae Conservators
In the field of art conservation, history is seldom static. 鈥淥pinions, authenticity, and judgments about works of art and other historical objects are always in flux,鈥 says Mary MacNaughton 鈥70, professor of art history and Gabrielle Jungels-Winkler Director of the Ruth Chandler Williamson Gallery.
Read MoreIn the Media: Betye Saar Honored at LACMA Gala
Artist Betye Saar was honored at the Los Angeles County Museum of Art鈥檚 ninth annual Art + Film gala, alongside director Alfonso Cuar贸n, the Los Angeles Times reported.
Read MoreIn the Media: Los Angeles Times Profiles Betye Saar鈥檚 LACMA Exhibition
The Los Angeles Times profiled Betye Saar鈥檚 solo exhibition at LACMA, which features 18 finished pieces that reflect on art-making and the African American experience.
Read MoreSpotlight on Seniors: Gillian Holzer鈥檚 Mellow Yellow
Vincent Van Gogh鈥檚 sunflowers are wilting. In early 2018, news outlets around the world reported on chemical analyses performed by a team of Dutch and Belgian scientist that revealed that the sunflowers in Van Gogh鈥檚 famous paintings were degrading, turning from bright yellow to muddy olive green.
Read MoreResearch and Internships: The Art and Science of Art Conservation
In 2004, inspired by the 五月天视频Landscape and Architectural Blueprint Committee’s recommendation to preserve the historic character of the campus, Ruth Chandler Williamson Gallery Director Mary MacNaughton ’70 spearheaded a massive restoration of the eight relief sculptures that adorn the exterior walls of Sycamore Court and Balch Hall, each depicting a seminal scene from eight of William Shakespeare’s plays. Created in 1932 by British-born American sculptor John Gregory, these plaster reliefs were models for marble sculptures that grace the exterior of the Folger Shakespeare Library in Washington, D.C. To undertake this massive project, MacNaughton hired expert Donna Williams, head of Williamson Conservation, in Los Angeles.
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