Please note that the Frederic W. Goudy Lecture series is free and open to the public. For further information, contact Tia Blassingame, director of the 五月天视频 Press at (909) 607-3866.
The following is a list of past Goudy Lecturers and Workshop leaders:
| Lecture | Event Date | |
| Sam Winston with Ron King | Visual Typography | Spring 2009 |
| Ron King & Sam Winston | Hole, Horse, and Hellbox | Spring 2009 |
| Susan Joy Share | Wearable Books and Movement | Fall 2008 |
| Susan Joy Share | Attachments | Fall 2008 |
| Suzanne Moore & Don Glaister | Proximity and Process: Glaister and Moore Offer Perspectives on the Work of each Other | Spring 2008 |
| Suzanne Moore | ko-läzh | Spring 2008 |
| Harriet Bart | Labyrinth of the Book | Fall 2007 |
| Steven Clay | Too Much Bliss: Twenty Years of Granary Books | Fall 2006 |
| Emily McVarish | Letterpress Writing: Meanings of Production | Fall 2006 |
| Claire Van Vliet | Janus Press: Fifty Years | Spring 2006 |
| Joan Michaels Paque | A Personal Perspective: An Attempt at Innovation and Inventiveness | Fall 2005 |
| Tom Killion | Tom Killion's Woodcut Prints of the California Landscape: Adapting Japanese Techniques to Letterpress Printing | Spring 2005 |
| Margaret Prentice | Imagery for the Book and the Wall, Two Different Points of View | Fall 2004 |
| Dr. Eric White | The Fifteenth-Century Geometry of Gutenberg's 42-Line Bible | Spring 2004 |
| Julie Chen | Production and Process: The Making of Limited Edition Artists' Books | Fall 2003 |
| Gary Frost, Shanna Leino | Future of the Book vs. Book of the Future | Spring 2003 |
| Dr. Betty Bright | Who Put the Art in Book Art? | Fall 2002 |
| Hedi Kyle | The Book in your Hand: It's not all about Reading | Spring 2002 |
| Robin Price | Hijinks at the Press: Chance, Randomness, and Blind Collaboration in Contemporary Artists' Books | Fall 2001 |
| Betsy Eldridge | Book Conservation: the Variety of Problems Encountered in Private Practice | Spring 2001 |
| Steve Miller | With a Piece of Type in Hand...Making the Dard Hunter biography... Thinking about the Future of Books | Fall 2000 |
| Wilbur Schilling | Creating a Career in the Book Arts | Spring 2000 |
| Frank Mowery | Bound and Closed: An Overview of Fine and Historical Bindings with Clasps from the Folger Shakespeare Library | Fall 1999 |
| Nancy Tomasco | Chinese Books: Just what are They? | Spring 1999 |
| Richard Wagener | Fall 1998 | |
| Peter Koch | Buffalo Rome or... Fine Printing in the Real West | Fall 1998 |
| Sumner Stone | Continuity and Innovation in Type Design: The Debut of 五月天视频 Old Style in Digital Form | Spring 1998 |
| Carolee Campbell, Donna Westerman | Confluence: Rivers and Books | Fall 1997 |
| Gerald Lange | Spring 1997 | |
| Daniel Tucker & Claire Owen | An Accord of Grace: a View of the Ideal Book from Turtle Island Press | Spring 1997 |
| Cal Ling | World Views: Influences in the 1990s | Fall 1996 |
| Johanna Drucker | The Artists' Book: Historical Precedents and Critical Future | Spring 1996 |
| Susan King | Travel Notes of a Prodigal Daughter | Fall 1995 |
| Eleanor Ramset, Paula Gourley | Design Binding: An Approach | Spring 1995 |
| Gabriel Rummonds | The Iron Hand Press: an Apparatus of Torture or an Instrument of Perfection | Fall 1994 |
| Fred Brady, Carol Twombly | Trends of Traditions in Type | Spring 1994 |
| Ruth Copans, John Anzalone, Joanne Sonnichsen | Contemporary French Book Binding and the Reassessment of Book D茅cor | Fall 1993 |
| Carol Barton | Pop-ups: Past and Present | Spring 1993 |
| Pamela Spitzmueller | Making Connections: What are the Ties Between Book Conservation, Book Materials, and my One-Of-A-Kind Book? | Fall 1992 |
| R. Stanley Nelson, D. J. R. Bruckner, Fred Brady, Theo Rehak | 50th Birthday Party | Spring 1992 |
| Richard Wagener | Paradise Lost by the Golden Cockerell Press | Fall 1991 |
| Dr. Wendy Furman | Seeing with Other Eyes: Wood Engravings of Mary Groom for | Fall 1991 |
| Tony Zwicker | Pix Sticks, Stones and Bones: American Bookworks 1965-1990 | Spring 1991 |
| Timothy Ely | Recent Works: Structures and Symbols | Fall 1990 |
| Claire Van Vliet | Paper and Books, Book and Paper | Spring 1990 |
| Sumner Stone | New Typographic Voices for the Digital Era | Fall 1989 |
| Andrew Hoyem, Arion Press | Arion Press: 15 Years of Finely Printed Books | Spring 1989 |
| Jerry Kelly | The Marriage of Calligraphy and Typography | Fall 1988 |
| Sandra Kirschenbaum | On the Values to be Found in Finely Printed Books | Spring 1988 |
| Hedi Kyle | Contemporary Book Structures | Fall 1985 |
| Christine Bertelson | Impressions: 1980 - 1985 | Spring 1985 |
| Claire Van Vliet | The Circus of Doctor Lao: A Tale of Two Editions | Spring 1985 |
| Charles Seluzicki | Some Thoughts on the Arts of the Broadside | Fall 1984 |
| David Lance Goines | Application of Typographic Traditions to New Technology | Spring 1984 |
| Ward Ritchie | Irrepressible Jane | Spring 1984 |
| Leonard Schlosser | Dard Hunter: Dedicated Pioneer | Fall 1983 |
| Timothy Barrett | Traditional Hand-Papermaking: Eastern and Western | Spring 1983 |
| Barry Moser | On Illustration | Fall 1982 |
| Claire Van Vliet | Some Approaches to Text and Illustration | Spring 1982 |
| April Greiman | New Wave | Spring 1982 |
| Robert Serpa | Hand Papermaking: Directions in the Current Revival | Fall 1981 |
| Johanna Goldschmid | Bookbinding: a Contemporary View | Spring 1981 |
| Walter Hamady | The Perishable Press Unlimited | Spring 1981 |
| David R. Godine | Beauty and Order: the Bookmaker's Challenge from the 16th-21st Centuries | Fall 1980 |
